郭再勤,笔名锐石。祖籍陕西省神木县,现定居北京。从事教学工作二十余年。现为专业山水画家、国家一级美术师、世界艺术家协会理事、中国美术家协会内蒙古分会会员、中国艺术研究院特邀书画师、发现杂志社副理事长。曾从师著名画家白庚延先生。 作品《秋山明净而如妆》曾展出于原中国历史博物馆且被收藏;国画《敕勒川》获第三届世界华人艺术大奖金奖,作品收录《世界华人文学艺术名人录》《世界美术集》《世界名人录》等多部典籍。 在郭再勤先生的作品中,用直线对画面“切割”已成为他艺术表达的重要手法。不惜借鉴西方现代的抽象构成形式,甚至借助现代艺术精神对“几何学”理念的推崇,将水墨本体的形式美感都统一在主观情感的宣泄和感觉之中,而成为心灵抒情的一种形式,使之从物质层面上升到精神层面。其本人追求的是未来,愿望是创造,在追求艺术的道路上,他甘愿做艺术的探险者。他说:“一个画家要追求艺术的真本,必须跳出当代纷纭喧嚣的假象,时时从历史的角度衡量自己,这需要冷静、自信、约束和创新”。 白庚延先生评价“其山水画意境开阔,气势雄伟,笔法苍劲,茂密而不繁,峭秀而不蹇,可谓繁简天成,构图独特,自成一体。
Zaiqin Guo under the pen name Rui Shi born in 1962 engaged in teaching more than twenty years. Shenmu native of Shaanxi Province and now lives in Beijing. Has studied with famous painter Mr. Bai Gengyan is a professional landscape painter artist at the national level the World Arts Association Inner Mongolia Branch of China Artists Association member of Chinese Painting and Calligraphy Art Research Institute invited teachers vice chairman of the magazine found. Work “Akiyama bright and clean and if makeup“ has been exhibited in the Museum of Chinese History and is the original collection of paintings “Chile chuan“ won the third World Chinese Art Awards Gold Award the work included in “Who‘s Who in the world of Chinese literature and art“ “World Art Set ““ Who in the World “and many other books. Guo then ground with the author about his creative ideas and experience said: “Chinese and Western pursue the path of my life. Binhong If the modern landscape painting is to create a new situation then Picasso painting paving the way for the West a new foundation. And Matisse bold colors exaggerated romantic art for today pointed out the new direction regardless of Chinese painting or Western painting painting each with a different language no art to a new era there will be a new face. realism of Renaissance painting no longer exist today but the new realistic painting continues just as Song Chaofan a wide face painting and Qing Shi Tao is another face of the highest level of Chinese painting is artistically but leave the ink is gone and if the ink is painting the essence then the color is the Western painting‘s blood leaving the color oil painting would not exist. If our Chinese painting were absorbed into Western painting color and Western painting structural performance then why not? now there are many Chinese artists are trying to draw into the West to Chinese painting such as the Liu Hai Su Wu Guanzhong who they are not a good combination? We do not want to own (Chinese painting) closed should be allowed to absorb more Chinese painting better nutrition growing up excellent cultural integration of the world come to better improve Chinese painting Chinese painting also can also be used to paint the world our people should go out and get the Chinese people understand the world and the world can know China and Chinese painting Matisse‘s painting is not the last century Chinese painting has absorbed it? is the only way to make a better integration of Chinese and Western painting. I am so groping to find a new path others do not walk the road full of thorns. “ Mr. Guo Zaiqin in the new works with a straight line on the screen “cutting“ has become an important ex